Sergio Font leads the IWWF Trick Committee

IWWF Trick Committee Moves Toward Major Scoring Overhaul

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IWWF Trick Committee Moves Toward Major Scoring Overhaul

Sergio Font leads the IWWF Trick Committee

Image: @pato.font

By Jack Burden


The long-awaited reform of trick skiing’s scoring system is finally gaining momentum.

Meeting in Italy on September 1, the IWWF World Waterski Council received a proposal from the Trick Committee outlining sweeping changes to the sport’s point values—the first comprehensive overhaul in more than two decades.

Led by Sergio Font, the committee’s recommendations would increase the value of 10 high-difficulty flips, including most “super” flips and backflip variations of 360 degrees or more. Several would surpass the long-standing 1,000-point ceiling that has capped trick progression for years. Three non-flip tricks—wake-seven-back, ski-line-seven-front, and toe-wake-line-front—would also see modest increases. No tricks are proposed to decrease in value.

Font said the proposed changes reflect months of collaboration and are designed to make trick skiing “more entertaining” while better rewarding flips that are currently “undervalued.”

Under the plan, the anachronistic double backflip and backflip-stepover would be removed from the rulebook. The committee expects to deliver accompanying rule-change proposals this month, with implementation targeted for December 2026—giving athletes a full year to adapt before the changes take effect.

Council Chair Candido Moz endorsed the measured rollout, saying it will “allow skiers and coaches to consider the implications” ahead of the next World Championships cycle.

The proposals follow mounting criticism from elite athletes, including world record holder Joel Poland, who has argued that the current system “cripples trick skiing” by undervaluing the sport’s most difficult flips.

If adopted, the new points table would mark a historic reset—breaking the ceiling on trick difficulty and potentially reshaping elite runs for years to come.

The IWWF has selected Mailbu as its official towboat

IWWF Awards Towboat Contract to Malibu in Long-Rumored Industry Shakeup

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IWWF awards towboat contract to Malibu in long-rumored industry shakeup

The IWWF has selected Mailbu as its official towboat

A Manufacturer on the Retreat… or the Rebound?

By Jack Burden


In a move that cements a dramatic reshuffling in tournament water skiing, Malibu Boats has secured the coveted IWWF towboat contract, ending Nautique’s decade-long run and beating out both Nautique and MasterCraft in the process.

The International Waterski & Wakeboard Federation (IWWF) has selected Malibu as the official towboat supplier for its World Titled Events beginning in 2026. The six-year agreement—renewable for another six—grants Malibu exclusive towing rights for all IWWF-sanctioned competitions in water ski and wakesports, from junior to elite-level world championships.

Malibu, once a cornerstone of three-event skiing, has dramatically scaled back its presence in recent years. The company no longer sponsors water skiers, hasn’t supported a pro event in years, and reportedly produced fewer than 50 units of its flagship TXi model in the U.S. last year. With recent layoffs and a 60% drop in stock price since 2021, many wondered if Malibu would exit tournament skiing altogether.

Instead, they’ve claimed their biggest prize yet.

“Malibu was founded by athletes who wanted something better. This partnership honors that legacy and pushes it into the future,” said Rachael Green, Senior Vice President of Engineering and Production at Malibu Boats. “We’re proud to support the best athletes in the world with Malibu boats—today that means the TXi and M230, and tomorrow it will mean the next evolution of innovation in competition performance.”

The message is clear: Malibu wants to be seen not just as a bidder with deep pockets, but as an innovator reclaiming its role at the sport’s core.

Still, skepticism remains. The company recently parted ways with two of the sport’s most iconic athletes—Regina Jaquess and Thomas Degasperi—effectively ending all athlete sponsorships. Its U.S. promo boat program has been uncertain since the departure of longtime director Dennis Kelley.

Yet signs of life remain. Malibu reaffirmed production of the TXi amid swirling rumors last year and extended support for Australia’s National Championships through 2030. Still, the scale of their IWWF bid—and their ability to outbid established rivals—raises eyebrows.

The IWWF’s call for bids emphasized not only on-water performance, but also financial contributions, logistical support, and marketing partnerships. In a challenging economic climate, Malibu may simply have put forward the most lucrative bid—padding the federation’s revenue stream for years to come.

Still, the contrast with the current landscape is stark. In 2025, Nautique is serving as the title sponsor for four major professional tournaments and three IWWF World Championships. MasterCraft is down to backing just one pro event. Malibu, by comparison, is sponsoring none.

This decision leaves Nautique—long regarded as the sport’s most steadfast financial backer—on the sidelines. Over the last decade, Nautique doubled down on water skiing, signing top athletes, hosting marquee events, and serving as the IWWF’s official towboat since 2016. For MasterCraft, which held the contract from 2009 to 2015, this marks another missed chance to reclaim its position at the sport’s forefront.

For athletes, the impact is immediate. The IWWF towboat sets the global competition standard—and by extension, the training standard. Skiers will need to adjust their technique, timing, and preparation behind a boat many elite athletes haven’t competed behind in years.

Whether this signals a Malibu resurgence or a high-stakes gamble remains to be seen. The company continues to face economic headwinds, and its recent reduced footprint in competitive water skiing raises questions about its capacity to support a global calendar. However, as a publicly traded company with substantial resources, Malibu has the potential—if it chooses—to back its bid with sustained investment.

The potential payoff is enormous. With the IWWF contract secured, Malibu immediately regains relevance and a seat at the head table of tournament water skiing, becoming the platform upon which world champions and the next generation of talent will be built.

The IWWF has not released full details of the agreement, and key questions remain about Malibu’s operational plans. But one thing is clear: Malibu Boats is back in the spotlight—and towing more than just skiers.

They’re towing the sport’s future.

Charlie Ross slaloms at the 2025 World Championships

The Highest-Scoring Worlds in History? Recetto Delivers Water Skiing’s Next Level

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The highest-scoring worlds in history? Recetto delivers water skiing’s next level

Charlie Ross slaloms at the 2025 World Championships

Image: @bearwitnesssportsphotos

By Jack Burden


RECETTO, Italy — For six days in northern Italy, water skiing seemed determined to burst out of its own history. The 2025 World Championships were not just a contest for medals but a collision of eras: champions fighting to defend their crowns, teenagers breaking through the gates, and performances that stretched the sport into new territory.

It didn’t start that way. The opening days were reshuffled by storms, rain smearing across the placid waters of Recetto. But by Friday the skies cleared, the wind fell flat, and the lake turned to stillness. What followed was a rush of personal bests — especially in jump, where skiers pushed themselves farther than anyone thought possible.

The Prelims: Cracks in the Armor

Joel Poland walked down the dock on Friday with the casual confidence of a man who had won everything there was to win. Tricks has always been his insurance policy in overall, the foundation of his dominance. And yet, in a mirror of his stumble at the last Worlds, he went down early.

“That was just heartbreaking,” Poland admitted later, frustration in his voice. “Like a dream… gone, again.”

The mistake rattled the field. Pato Font and Mati Gonzalez wobbled through their passes. The cut line fell to its lowest in nearly a decade — not from weakness, but nerves. Suddenly, the men’s trick final looked wide open.

On the women’s side, it was the opposite. Regina Jaquess and Jaimee Bull tore through 10.75m (39.5′ off) with machine precision, while 22-year-old Kennedy Hansen quietly put together personal bests in both slalom and jump. By the end of Friday, she was in the mix for overall medals — and a genuine threat to Hanna Straltsova’s iron hold on the crown.

Saturday Fireworks

By Saturday the tournament had caught fire.

Men’s slalom provided the starkest reminder of how far the sport has evolved. For the first time in history, a piece of three at 10.25m wasn’t enough to guarantee a finals spot. Twelve skiers, all within a buoy of one another, crammed the leaderboard. Even Poland, hoping to rebound, was squeezed out with 2.25 at the pass.

Tricks went ballistic: seven women cracked 9,000, with Erika Lang and Neilly Ross punching past 11,000 for the first time ever at Worlds. “It’s hard in prelims — you just want to secure your spot,” Ross said afterward. “Hopefully tomorrow I can just go and go fully.”

And then came men’s jump. Dorien Llewellyn, after three years battling injury and inconsistency, soared 69.6m (228 feet) — his longest since 2021. The leap pushed him into the overall lead, just 13 points clear of Louis Duplan-Fribourg, setting up the tightest overall showdown in recent memory.

Ryan Dodd and Poland tied for the lead at 70.5m (231′), a strange echo of their summer duel at the California ProAm. Everywhere you looked, it felt as if the old guard and the new blood were destined to collide.

Finals Sunday: A Collision of Eras

By Sunday the tournament had shed its nerves. The storms were gone, the prelim jitters gone. The water in Recetto lay flat, as if it knew history was waiting.

Tricks: Margins Measured in Frames

Tricks is the cruelest event because immortality and anonymity can hinge on a single freeze-frame. For decades, only the judges saw those margins. This time, thanks to EyeTrick, everyone did. Fans could watch a world title swing on whether a toe slide was rotated 90 degrees or 85.

The women’s final was billed as a heavyweight clash: Lang’s innovation, Ross’s precision, Anna Gay Hunter’s pedigree. But the first half of the field faltered, pressing too hard on risky runs. Hunter steadied things with 10,730, matching her prelims to lock in a medal. Lang went next, laying down a world record run, but missed the rope on her ski-line back-to-back. Three hundred points vanished in an instant.

That left Ross. At 24, she has often played second fiddle to the older Lang or Hunter. But in the past year has found another gear. Two immaculate passes later, the scoreboard confirmed what her posture already said: World Champion.

“I haven’t won a Worlds since 2017,” Ross said, shaking her head. “Every single one since then I’ve just kinda blown it. We made this the goal — do my run. Today I just went for it. I really wanted this one.”

The men’s event spiraled into chaos. Defending champion Font posted 12,010. Then Gonzalez — all velocity and audacity — strung together a blistering 5,500-point toe run, backing it with a clean hand pass for 12,410. It forced the rest into desperation.

Llewellyn, trying to put the overall race out of reach, sank in disbelief after a miscued landing. Abelson, the wunderkind and world record holder, seemed composed — until the scoring system caught him. A rushed toe slide, four judges ruling it under-rotated, pushed his buzzer beating toe-line-front out of time. His final total: 12,400. Ten points short.

Ten points. The smallest possible increment in trick skiing. The kind of number that sticks forever.

When Duplan-Fribourg couldn’t repeat his prelim magic, Gonzalez was champion — speechless on the dock. “It feels amazing,” he stammered. “It was my dream… now I can say I did it. Congrats to Jake too — he’s one of the best in the world. We have the best here.”

Slalom: The Old Guard Meets the Future

Women’s slalom opened with an unlikely spark. Sade Ferguson, once a junior jump prodigy until injuries derailed her career, returned as if she’d never missed a season. Her 5 @ 10.75m was a huge personal best and an early lead.

Allie Nicholson scraped half a buoy past it. Jaimee Bull, calm as a metronome, became the first to run 10.75, but faltered at 10.25 with a botched S-turn for just one and a half. Regina Jaquess, chasing history, fought through 10.75 off but couldn’t get her ski outside of two at 10.25. The shoreline knew instantly what it meant: Bull, 25 years old, three straight World titles.

“I can’t really believe three in a row,” Bull said. “Two felt crazy. Today I didn’t think that was enough — but it was.”

The men’s final felt like two different sports at once: veterans clinging to relevance and a new generation kicking the door down. Freddie Winter bowed out early. Will Asher, seemingly reborn, posted five at 10.25 and celebrated like a man half his age. Then Nate Smith made 10.25 look like a warm-up, forcing the others to gamble.

One by one they failed — until Charlie Ross, 20 and fresh off his first pro wins, matched Smith. He ran 10.25 smoother than anyone, tying at 9.75 to force the runoff. Smith, the most reliable closer the sport has ever known, prevailed. But Ross walked away with proof he belonged in the deepest end of the pool.

“I’ve never even tried 41 off the dock in practice,” Smith admitted afterward. “At two, a lot goes through your head — should I stand up, should I turn it? But today, yeah… I’m pretty happy. That’s cool.”

Jump: Shaved Heads and Broken Dynasties

Jump was the crescendo, the shoreline swelling with every flight. The women’s final opened with personal bests — Maise Jacobsen, Aaliyah Yoong Hannifah both cracking 50 meters — before Brittany Greenwood Wharton, back from injury, hit 54.4m (178 feet), her longest in years. Straltsova needed only two jumps to secure the crown and her golden double. “I’m so happy,” she said simply. “It’s hard to defend.”

The men’s jump final had more plotlines than an HBO drama. Tim Wild, just 18, came off the lower ramp and went 68.1m — ten days earlier he’d never cracked 60. Bronze overall, his name now etched into the sport’s future. Duplan-Fribourg faltered in his overall defense, leaving Llewellyn to claim the title he’d chased for years.

But the jump crown itself belonged to Poland. His opening leap — 72.1m, the biggest of his life and a new European record — stopped the shoreline in its tracks. He passed his next two, gambling it would hold. It did.

Ryan Dodd, five-time champion, threw everything he had, cracked 70, but fell short. With that, three decades of North American dominance — Krueger, Jaret, Dodd — ended. Poland’s elation as he hit the water carried something more than victory. It carried release.

“Yeah, that was unreal,” he said, still buzzing. “This shaved head… I might have to keep it. It seems to be working. Over the moon.”

A New Benchmark for the World Championships

In the end, the numbers told the story. Recetto didn’t just host a World Championships — it redefined what one looks like. The cut to make the finals in men’s slalom, men’s jump, and women’s tricks was the highest in history, a staggering testament to the depth of talent on display. Tournament records fell or were matched in women’s tricks, men’s slalom, and women’s slalom, while the podiums in both men’s and women’s slalom and tricks went down as the four highest-scoring in the sport’s history.

The pattern extended across every discipline. The men’s jump final produced the second-highest podium ever, as did the men’s overall — each pushed to the brink by athletes refusing to give an inch. And beyond the headlines and record books came the quieter triumphs: the countless personal bests, the season-best performances, the moments where skiers left the dock knowing they had just redefined their own ceiling.

That’s what made Recetto different. This wasn’t simply another Worlds where one or two stars lifted the level. It was a collective surge, a field-wide elevation that left even veterans shaking their heads. When the dust settles, 2025 may well be remembered as the World Championships where water skiing itself moved to the next level.

Axel Garcia tricks during the IWWF U21 waterski championships at Predator Bay waterski club in Calgary, Alberta, Canada.

Axel Garcia: The King of the Half Jack

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Axel Garcia: The King of the Half Jack

Axel Garcia tricks during the IWWF U21 waterski championships at Predator Bay waterski club in Calgary, Alberta, Canada.

Axel Garcia tricks during the IWWF U21 waterski championships (image: @bearwitnesssportsphotos)

By Jack Burden


When the conversation turns to innovation in modern trick skiing, it almost always starts with Joel Poland. The multitalented Brit has made “super flips” part of the sport’s everyday vocabulary, turning his signature super-mobe-five into a tournament staple.

But there’s another name worth saying—one rising fast.

Seventeen-year-old Axel Garcia of France has been quietly building a résumé that demands attention. Third at last year’s Under-17 Worlds behind Mati Gonzalez and Jake Abelson. Multiple-time European champion. Top seed into the finals at the recently concluded Under-21 World Championships.

And above all, he’s developed a reputation for one thing: launching himself into frontflips with the kind of style and ease that makes fellow skiers double-take.

Among elite trick skiers, Garcia has been dubbed by some as the “King of the Half Jack.” The half jack—named after American skier Kevin Jack—is a frontflip variation where the skier edges into the wake from an inverted back position before throwing the flip. It’s a close cousin to the wakeboard “tantrum” and has quietly become one of the most common moves in top-level runs. These days, a mobe–reverse–half jack combo is almost as standard as a side slide.

Some, like world record holder Jake Abelson, still favor the more orthodox BFF (frontflip from a regular back position), but that’s becoming rare. The half jack’s speed, consistency, and smooth transition make it the go-to choice.

Garcia hasn’t just mastered it—he’s reinvented it. In 2023, he submitted a clip of himself landing a reverse FFLF, which the IWWF approved as a brand-new trick.

Recently, he posted an Instagram video that made waves: both regular and reverse FFLFs, plus both regular and reverse FFLBBs (frontflip 360s), all starting from the inverted back like a half jack. The reverse FFLBB isn’t even in the rulebook yet—but if Garcia submits it, he could add another flip to the official trick list.

Top names took notice. Pato Font, Mati Gonzalez, and Neilly Ross all jumped into the comments with praise.

Garcia’s skillset is a case study in a long-running debate: whether the IWWF’s trick scoring table needs an overhaul.

Take backflips. Progressing from a basic backflip (BFL) to a backflip 540 (BFL5F) is worth 350 more points—about a 70% increase. But frontflips? A basic FFL is worth 800 points. The 540-degree version (FFL5F) gets just 150 more—less than a 20% bump.

Why? Because of an arbitrary 1,000-point ceiling. Years ago, the double backflip was set at that max value, despite no skier ever landing it. Since then, every trick has had to fit between 500 and that cap, squeezing the spread for higher-difficulty frontflips into a narrow range.

The result: Garcia gains little by throwing his most jaw-dropping tricks. At the Under-21 Worlds, he topped the prelim leaderboard with a run of safe, fast mobes, half-twists, and just two frontflips. Why risk a reverse half jack or a front-full for an extra 100–150 points when a 750-point half-twist is cleaner and safer?

He’s not alone. Abelson regularly posts outrageous frontflips online—no-wake FFLBs, front-fulls from a regular wrap—that never see a start dock in competition. Pato Font has ski-line and spin variations that would make even Cory Pickos jealous. Every top trick skier has an ace or two they leave at home on tournament day.

Part of the reason is difficulty: in trick skiing, you can’t afford an early fall. Speed and consistency win. That’s not a flaw—it’s part of what makes the sport thrilling. But with a different point spread, more of those “party tricks” could become prime-time tricks.

Axel Garcia is exactly the kind of skier trick skiing’s future needs—innovative, fearless, and stylish. His flips are already redefining what’s possible off a ski wake, even if the scorebook hasn’t caught up.

For now, his wildest moves might remain for Instagram. But if the sport wants its brightest stars to keep pushing the limits, it needs to make sure the risk is worth the reward.

Because Garcia may not just be the King of the Half Jack—he might be next in line for the whole trick skiing crown.

Get ready to watch Wakeboard, Wakesurf, and Cable Wakeboard, all taking place in Chengdu, China, from August 7–17, 2025.

Water Skiing Just Lost the World Games. Maybe We Deserved It.

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Water skiing just lost the World Games. Maybe we deserved it.

Get ready to watch Wakeboard, Wakesurf, and Cable Wakeboard, all taking place in Chengdu, China, from August 7–17, 2025.

Wakeboard, Wakesurf, and Cable Wakeboard, all took place in Chengdu, China, from August 7–17, 2025 (image: IWWF)

By Jack Burden


The knives are out for the IWWF. They always are. This time, it’s over water skiing’s absence from the 2025 World Games in Chengdu. Forty-plus years of tradition gone, replaced by wakesurfing’s debut. Another bureaucratic misstep? Another case of bad leadership? That’s the easy take — and the one our sport seems most eager to reach for.

You’ve heard the grumbling: How could they let this happen? Don’t they know water skiing was one of the Games’ founding sports? We take it personally because it feels personal — a door slammed in our face after decades of loyal attendance. And yes, the decision was made in consultation with the IWWF. And yes, the optics are ugly. But let’s not pretend this was a bolt from the blue.

The World Games is a product, not a sentimental reunion. It exists to fill stadiums, sell tickets, and justify broadcast time. In that context, swapping three-event skiing for wakesurfing isn’t madness — it’s arithmetic. Wakesurfing needs less infrastructure. It plays better in urban venues. It comes with a soundtrack and an image package you can sell on TikTok. And China, our host, has a ready-made roster of wake athletes but exactly zero active three-event skiers. The organizers didn’t choose wakesurfing to spite us. They chose it because it fits their event better than we do.

Here’s the harder question: why wouldn’t we fit?

For years, our competitive structure has been almost aggressively insular. Our tournaments are for us. Our coverage is by us. Our audience is… well, mostly us. Many in the sport barely flinched when the news broke. The World Games? Please. It’s an outcasts’ Olympics, they say — full of fringe and gimmicky sports nobody watches unless they stumble across them on TV.

But that’s exactly the point. The World Games gave us legitimacy in the wider sporting world. In more than a few countries, national federations used our place in the Games to justify government funding. And when was the last time water skiing got real terrestrial TV coverage? For those still pining for the ESPN Hot Summer Nights era, this was as close as we’d come in decades. Now it’s gone.

Wakesports have embraced spectacle and accessibility; we’ve clung to purity and tradition as if they were a form of currency the real world still accepts. They aren’t. Not to the World Games, and not to any outside partner who needs more than nostalgia to justify a slot.

So, yes, the IWWF could have fought harder. Maybe they should have. But what exactly were they supposed to fight with? A product that hasn’t been meaningfully reimagined in decades? A fan base that barely exists outside our own families and training partners? A sport whose public face is often a locked gate to a private lake? That’s not leverage. That’s a liability.

And now we’re talking about the Olympics. “We are actively bidding for inclusion in Brisbane in 2032… we might have an actual chance to get in there,” IWWF President Jose Antonio Perez Priego said recently. Encouraging words — but when your most recent headline is We just lost the World Games, it’s hardly the kind of momentum you want for an Olympic pitch.

The truth is we weren’t pushed out — we drifted out. Slowly. By choice. By choosing to play only to ourselves. By defining “success” as keeping the same people happy instead of adding new ones. By treating the outside world as a distraction rather than an opportunity.

If losing the World Games feels like a punch to the gut, it should. But don’t waste your energy swinging at the IWWF. This isn’t a one-off scheduling decision. It’s a preview of our future if we keep doing exactly what we’ve been doing.

Because if we want to stop losing places — at the World Games, in media coverage, in the public imagination — we’re going to have to start competing off the water as fiercely as we do on it. Otherwise, this won’t be the last goodbye. It’ll just be the latest.

IWWF President José Antonio Pérez Priego

IWWF President Strongly Hints at Towboat Shakeup: “We’re in the Process of Moving On”

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IWWF President strongly hints at towboat shakeup: “We’re in the process of moving on”

IWWF President José Antonio Pérez Priego

Image: IWWF

By Jack Burden


CALGARY, Alberta — It’s not official, but it might as well be.

Speaking during an episode of the TWBC Podcast last weekend at the Under-21 World Championships, IWWF President José Antonio Pérez Priego all but confirmed that Nautique’s time as the federation’s official towboat partner is over.

“Our relationship with Nautique will end at the end of the year,” Pérez said. “They have been a great partner to us… but we’re in the process of moving on.”

While Pérez stopped short of naming the successor, his comments added fuel to long-circulating rumors that Malibu Boats is set to take over the coveted contract starting in 2026.

When pressed directly about whether Nautique would continue, Pérez replied, “Nothing is cast in stone. It could change, but at this moment it doesn’t look like that.”

The IWWF issued a tender earlier this year to six major boat manufacturers, receiving three bids—among them, it’s widely assumed, Malibu, MasterCraft, and Nautique. According to Pérez, the bids were reviewed not only for boat performance but also for financial support, global reach, and logistical capacity across all disciplines, including wakesports.

All boats under consideration have already been approved by the IWWF Tournament Council, Pérez said, and an announcement will come “in the next few weeks.” But the federation will do no more than announce its next partner until Nautique’s contract expires on December 31.

“For us, honoring our commitments is extremely important,” Pérez added. “We will not make any other comments until the first of next year.”

Despite the formality of that timeline, the writing seems to be on the wall. And for many within the sport, it’s the worst-kept secret on the circuit: Malibu is back.

Charlie Ross wins slalom at the 2025 IWWF Under-21 World Waterski Championships

Triumph, Turmoil, and Tears at the Under-21 World Championships in Calgary

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Triumph, turmoil, and tears at the Under-21 World Championships in Calgary

Charlie Ross wins slalom at the 2025 IWWF Under-21 World Waterski Championships

Image: @johnnyhayward_photo

By Jack Burden


CALGARY, Alberta — The Under-21 World Waterski Championships have long served as the bridge between promise and prominence, a proving ground where rising stars and already-seasoned professionals collide. But even by its high standards, the 2025 edition—held at the picturesque Predator Bay Water Ski Club just outside Calgary—delivered a week of soaring highs, crushing lows, and a final day that left the waters of Alberta rippling with both celebration and controversy.

This was an event marked by breakout performances and premature heartbreak, where future world champions were minted and the sport’s deeper fissures were exposed for all to see.

Before the finals even began, the undercurrents of chaos were already pulling the field in unpredictable directions. In men’s tricks, a rash of early falls upended the leaderboard and torpedoed the hopes of several title contenders. Chile’s Matias Gonzalez, one of the pre-event favorites, fell early on his toe pass—then tried to mount a Patrice Martin-style resurrection. It wasn’t enough. His exit took with it any hopes of challenging Jake Abelson for the title.

By the end of qualifying, Team USA had built an insurmountable lead in the team standings, while Germany’s Tim Wild—still riding the momentum from his historic sweep at the Junior Masters—put the men’s overall title virtually out of reach before the final round even began.

With forecasts shifting, organizers moved the jump finals to the front of the schedule—and the drama began immediately.

The women’s event mirrored last year’s Under-17 showdown, held at the same site. Denmark’s Maise Jacobsen, the reigning U17 world champion, went over 48 meters to stake her claim early. Then came Australia’s Kristy Appleton, launching a huge 48.7-meter (160-foot) jump on her final attempt to take the lead.

But what followed was a string of brutal setbacks. Austria’s Leona Berner took a violent out-the-front on her opening jump—only to have competitors rally around her, offering skis and helping switch bindings in a stirring act of sportsmanship. Her teammate, Lili Steiner, another podium hopeful, landed awkwardly and was forced to withdraw injured. Canada’s Nellie Allard secured bronze after a new personal best, but it was Appleton who stood tallest, earning her first world jump title in stunning fashion.

The men’s final followed a similar arc. With several top seeds falling short of their qualifying marks, it was France’s Antoine Morin, skiing from the middle of the pack, who set the distance to beat: a clean, composed 60.6-meter leap—his first time ever clearing 60 meters.

Nobody else could match it. Wild locked in bronze to seal his overall title. Italy’s Florian Parth, returning to form after a quiet season, came closest but had to settle for silver. The top seed, American Gage Kacprowicz, dislocated his shoulder after crashing on his opening jump and was helped from the water. In the week’s most unexpected result, Antoine Morin became a world champion—despite not featuring on most pre-event radar screens.

In women’s slalom, South America, the continent that has claimed the last three Under-17 world titles, continued its rise. Skiers from Chile and Peru claimed the top four spots in the final, culminating in a dramatic three-way runoff between Christiana De Osma, Daniela Kretschmer, and Trinidad Espinal. The reigning Under-17 World Champion, De Osma, emerged victorious—running into 10.75m (39.5’ off) to seal the title.

The men’s slalom final was perhaps the most anticipated event of the tournament. But what was expected to be a shootout at 10.25m (41’ off) turned into a survival test, with skier after skier falling victim to the 10.75m line.

Mexico’s Jaime Palomino was the first to break through, posting 1.25 at 10.25m to set the pace. Australia’s Lucas Cornale looked confident through 10.75m but failed to get out of the gates on 10.25m. Then, reigning Under-17 World Champion Jaeden Eade pulled up narrow at 10.75m and fell short.

It was left to Canadian Charlie Ross, defending champion and home-country favorite, to finish the job. He didn’t disappoint. With measured aggression and trademark composure, Ross tied Will Asher’s 22-year-old World Championships record of 3@10.25m—matching the longest-standing mark in the sport’s history and becoming a two-time Under-21 World Slalom Champion.

The tournament ended with fireworks, and not just from the skiing.

Emma Davis of Team USA held a slim lead in the overall standings going into the trick final, with Alexia Abelson still within striking distance. But an off day in toes dashed Abelson’s chances in both tricks and overall.

Then came a trio of standout runs: Canada’s Hannah Stopnicki, Colombia’s Daniela Verswyvel, and Canada’s Olivia Chute all delivered strong performances. But when the scores dropped, controversy erupted.

Verswyvel’s reverse mobe—a pivotal 800-point trick—was unanimously ruled no-credit by the judging panel, dropping her to second behind Stopnicki. The TWBC live chat exploded with confusion and outrage. Elite skiers including Patricio Font and Neilly Ross voiced disbelief. Protests were lodged. Videos scrutinized. The call stood.

There’s an old adage in sport: the best judges are the ones you never notice. When they do their job well, the athletes—and not the adjudication—are the story. By that measure, the trick judging at this World Championships left much to be desired. This time, it was the judges, not the tricks, who stole the spotlight.

“I think that’s the discussion,” Gonzalez said on the TWBC broadcast. “In my opinion, it was pretty good—it is credit.”

What followed was a viral groundswell of support for Verswyvel, with her father sharing an emotional comment:

“After years of hard work and dedication, those who are supposed to be impartial lacked the humility to admit a mistake… Even if others refused to acknowledge it, the true champion proved it in the competition.”

But it’s worth stating clearly: Hannah Stopnicki is a phenomenal trick skier. She could easily have won with no drama had she landed her final flip. In a moment bigger than either athlete, Stopnicki and Verswyvel embraced after the final—two competitors in tears, caught in a storm they didn’t ask for.

“Honestly my toe run felt so good,” Stopnicki said. “I know the judges are looking at everything extra carefully today, so I was just trying to be as clean as I could be and stay on top of the water.”

In contrast, the men’s trick final was relatively sedate. With Mati Gonzalez relegated to the commentary box, only France’s Tristan Duplan-Fribourg looked like a potential challenger. The Frenchman earned plaudits with a gritty, chaotic, improvisational run that won over the crowd—but Jake Abelson was untouchable.

His 12,100-point performance set a new Under-21 World Championships record and added yet another accolade to what’s already one of the most decorated junior careers in water skiing history.

While the event featured standout performances across all disciplines, the shallow depth of the women’s field was a concerning undercurrent. The cutoffs to reach finals in slalom, tricks, and jump were among the lowest in tournament history—raising questions about development pipelines, participation, and long-term sustainability on the women’s side of elite water skiing.

But for one week in Calgary, the next generation took center stage—some rising, some falling, all reminding us why this sport, at its best, is one of the most beautiful and brutal in the world.

Erika Lang throws a frontflip

How Much Is a Trick Worth?

Articles

How much is a trick worth?

As the World Championships near, trick skiing faces a quiet reckoning

Erika Lang throws a frontflip

Trick skiers, like world record holder Erika Lang, have redefined what was though possible in the sport (image: @erikalang36)

By Jack Burden


As the World Championships approach, a quiet but consequential debate is coming to a head: how much is a trick really worth?

At stake is the very structure of trick skiing’s scoring system—a rigid points table that hasn’t fundamentally changed in more than two decades. For athletes like world record holder Joel Poland, that’s no longer acceptable.

“The point values for high-difficulty flips are crippling trick skiing,” Poland told the IWWF Water Ski Council. “It’s limiting what athletes can do.”

Poland should know. Two of his most innovative tricks—the 900-point “UFO” and the 950-point “Matrix”—were recently approved for competition but, in his own words, are “tricks you’ll never see in a tournament” unless something changes. He’s not alone in that sentiment.

A Broken Balance

Trick skiing is unique among board sports: every maneuver has a fixed value, from 40-point surface turns to 950-point flips. The goal is objective scoring. The result? Homogeny.

“Right now the trick point values reward doing more tricks versus doing harder tricks,” said Brooks Wilson on the GrabMatters podcast. “You can get more tricks in because you’re going fast. It’s a speed game.”

That tradeoff—efficiency over difficulty—has shaped elite competition. Instead of variety, most skiers now converge on the same sequence of reliable, high-value tricks.

“We want to see variation,” added Freddie Winter. “Instead, everyone’s forced to do the same kind of runs.”

The Repetition Problem

An analysis of over 100 score sheets at the 2023 World Championships shows just how narrow the tricking landscape has become.

Among hand tricks, backflips dominate. The half twist (BFLB), worth 750 points, appeared in every finalist’s run—typically paired with its reverse. In contrast, the only other trick worth 750, the ski-line seven back, was attempted just once.

The mobe (BFLBB), worth 800 points, was nearly as common, performed by three-quarters of the finalists—far outpacing other tricks in its point range. The basic backflip remains a staple, especially among intermediate-level skiers, tricks worth comparable points, such as W7B, SLBB, and SL5s, were attempted much less often and with much lower success.

Toe tricks show a similar pattern. Toe back-to-backs (TBB) are ubiquitous, appearing in 112 of 117 toe runs (the exceptions were early falls). Toe wake back-to-backs were also incredibly common; the regular and its reverse featured in every single finalist’s toe run. Toe wake tricks worth comparable points, such as TWO or TWLB, were less common, although some of this stems from them not having an easy reverse.

Misaligned Incentives

Not all frequently performed tricks are necessarily overvalued—some, like backflips, may be common because they serve as foundational building blocks for higher-scoring flips. And in toe runs, the inherent physical limitations naturally result in a narrower pool of viable tricks and sequences.

But some mismatches are hard to ignore. Why does the toe wake back-to-back (TWBB) score more than the toe wake 360 (TWO), despite similar difficulty? Why is the mobe front-to-front, attempted only three times at the tournament, valued the same as the standard mobe, which was performed over 100 times?

Take the half cab (BFLF) as another example. Worth 550 points, it was performed just once for every three half twists (BFLB), valued at 750. While it may be true that landing in the back is more difficult than taking off in the back, does that justify a 200-point gap? If so, why are half twists so common—and half cabs so rare?

Innovation Without Reward

In early 2024, the IWWF approved four new flips, including Clarens Lavau’s “Super Half Twist” and Poland’s “UFO.” But even with official approval, no one expects them to appear in major tournaments.

Poland’s “Matrix”—a frontflip with a ski-line 540 from the back position—was awarded 950 points. That’s just 150 more than a basic frontflip, and identical in value to the established super-mobe-five.

“There’s a point where you go, well, the slam it takes to learn this trick is just not going to be worth the extra 50 points,” said Poland. “I was trying to do a super-mobe-seven—a backflip 720 over the rope—but there’s not much point because they’ve made it very clear no trick can be worth more than 1,000 points.”

The scoring ceiling isn’t just discouraging; it’s actively stifling innovation.

“I tried three of them,” Poland added, “and they were the worst crashes of my life. I was like, ‘I’m never gonna try that again.’”

Without a meaningful scoring incentive, tricks like the Matrix may never make it into competition. Even Poland, one of the sport’s most creative skiers, is reconsidering the cost.

“You’re limiting creativity and progression,” said Winter. “Do we want to see the same runs forever—just a bit faster?”

A System Stuck in Neutral

The IWWF knows the problem exists. In a memo last year, Council Chair Candido Moz urged the Tricks Working Group to bring forward point values that better reflect “true difficulty levels.”

But attempts at reform have stalled for years.

“The skiers could never agree on point values,” Moz has explained. “So IWWF never received a proposal.”

That may change this September. A restructured Tricks Working Group, which includes Poland as a member, is expected to present formal recommendations during the World Championships in Recetto.

Time for a Reset?

Poland is done waiting. “In my opinion, [the current system] is crippling trick and limiting the athletes,” he said. He plans to stay vocal in the lead-up to Recetto.

Winter sees trick skiing as the discipline with the most untapped potential. “Right now, it’s just not reaching it,” he said. “But it could.”

The current system rewards repetition and safety. A modernized score table—one that truly values difficulty and risk—could transform the sport overnight.

“You’ve got to blow it up to build it up,” said Wilson.

The World Championships run August 27–31 in Recetto, Italy. A formal review of trick point proposals is expected to take place at the IWWF Water Ski Council meeting during the event.

Erika Lang's world record of 11,450 is officially approved by the IWWF

Erika Lang’s 11,450-Point Run Officially Recognized as World Record by IWWF

Repost

New IWWF World Open Women’s Trick Record

Erika Lang's world record of 11,450 is officially approved by the IWWF

Image: IWWF

IWWF


The IWWF is excited to announce the approval of a new IWWF World Open Women’s Tricks Record.

Erika Lang (USA) scored 11,450 points during the second round of the Bell Acqua Lake 3 Record Trick, held at Bell Acqua 3, in Rio Linda, California, USA on June 7th, 2025. Towed by the World Record-Setting Ski Nautique.

The record has been officially approved by the IWWF Waterski Council.

Congratulations Erika!